
Monday night, John and I made our weekly midnight trek to the 24 hour
Sobeys (primarily in search of Hamburger Helper and fake meat this week). On these hunting and gathering missions, the store is almost always empty (hence why we go then), so I always take a good long time to sift through the ginormous bin of
el-cheapo DVDs and VHS tapes at the back of the store.
One of the major fun-slash-annoying parts of being a film student is you never know when and where you will find that out-of-print copy of
The Outside Chance of Maximilian Glick (1988) for a buck. Thus, every discount bin from the local 7-Eleven to Blockbuster to the community grocery store is a Gordian knot of possibilities. I take it as my responsibility to sift through every bin of crud with the finest eye. It’s sort of like swap meet skills, only funner. (Further, it satisfies my OCDs, as I also get to straighten up the bins while I’m at it. This has won me some strange looks from box boys, I can tell you.)
So, anyway, this past Monday I was looking, and other than a copy of
The Pelican Brief (1993) on VHS (which I passed up), there was not much of interest. Still, I love reading those titles, and the odd descriptions of movies I haven’t even heard of. I mean, a
story of the relationship between journalist Sarah Polley and a mythic beast in Iceland? Man, only in aisle seven can you find quality like that.
Finally, I came across something that a few years ago I may have been too embarrassed to even consider buying, as I tended to be far too pompous in my youth (I have since lost most of my self respect through grad school experiences). There, in that bin, way down at the bottom, as if it were too ashamed to raise its head, was a VHS copy of
Death to Smoochy (2002) for two dollars.
Dare I cross the final frontier into crappy land? I asked myself. Sure, I had purchased
Battlefield Earth (2000) on DVD for four bucks only two years before, but that at least has uses as a
“what not to do in cinematography” lesson…
Dare I totally unleash the awesomeness of craptastic Hollywood vanity projects? Dare I cross that line between ironically awful to
just plain bad?
Well, looking around to make sure the box boy had moved onto other territory, I hastily paid for my Hamburger Helper and my
Death to Smoochy video (I don’t know which is worse), as if I were buying a huge box of “Super Gay” brand condoms in the middle of Mormon convention in Utah, and I scurried home. I couldn’t get one thought out of my head: “If I get hit by a car right now, all the world will know me as that film student who died trying to score a copy of
Death to Smoochy.”
So, tonight, after fighting a minus-20-wind-chill and freezing, biting snow squalls all the way home, I decided I had earned some time to eat my supper and watch something useless. What could be more useless than my new purchase?
Popping it in, I sat and watched, occasionally laughing quite hard, but mostly sitting and gaping at the screen…
What the hell was this thing? For those of you who don’t know
Death to Smoochy, I’ll save you a couple hours of your life and give you the gist of it. The simple plot follows a host of a kiddie show, Rainbow Randolph (the human-migraine formerly known as
Robin Williams), who, after losing his show after a payola scandal (which is never really explained), sinks into major depressive psychosis.
(Sounds fun, already, eh?) Anyway, Randolph swears revenge against his squeakier than clean replacement, Smoochy the giant purple rhino – Get it, huh?
Huh? (Smoochy is played by a Gump-inspired
Ed Norton, with a horrible haircut and far,
far too much makeup). In the end it all gets resolved somewhat, somehow, and they all dance around like stupid little idiots. The End.
(Oh, and there are a number of subplots involving the Irish mob, a methadone clinic, an exec with a fetish for kiddie-show-hosts, a punch-drunk boxer, the mafia that runs “The Parade of Hope” children’s charities, the relative value of soy over meat, something to do with “little people” in tiny rhino suits, and, oh yeah, some heavy handed “satire” of kiddie show merchandising… And probably some more in there I have probably blocked out.)
Finally, one must question why
Smoochy was made when it was? Wouldn’t a
Barney satire have been a little more timely, say, ten years earlier? I can’t wait for Williams’ next project. Maybe a hard-hitting parody of Gorbachev?… Or possibly something involving Clinton’s sexual peccadilloes? That has to be good for twenty more years of mileage, huh? (I shouldn’t joke… That last one may be
too accurate.)
What can I say? I didn’t expect it to be
Hamlet, but I thought it would at least be something of a spectacle. What else can you expect of a film dubbed
“The Worst Movie of 2002” by something like 50 national critics? Roger Ebert said of this film: “In all the annals of the movies, few films have been this odd, inexplicable and unpleasant.” That’s got to be some kind of recommendation, right? Plus, it has the pedigree of having been made by the team who brought you
Cabin Boy (1994), one of the brightest glory holes of absurdist American comedy since
Jerry Lewis moved to France!
However, I am disappointed and grieved. Don’t ask me in what way, as I am unsure if I am disappointed because
Death to Smoochy wasn’t better, or because it wasn’t worse.
In all honesty, it kinda fell into that largely forgettable grey zone… I laughed at many of the jokes (who could resist a Nazi rally all shouting “
Heil Smoochy!”?), but many were so telegraphed a mentally-deficient mime could have executed them just as well. Further, Williams must be muzzled, drugged, submitted to extensive therapy, or just plain sued for self-plagiarism if he is to be wiped from screens. I mean,
Good Morning, Vietnam! (1987) had some great moments, but all things must pass, man, and that means you, too, Robin.
I mean, I love an inappropriately-shaped-cookie joke as much as the next filmgoer, but, overall,
Death to Smoochy was neither as crass or as terrible as I was led to believe, so I must admit that I am a little disappointed with it.
I rather wish I had seen this film in its first run, as then I may not have such a horrendous build up of expectation. This film consistently fell below (or
above) my expectations, and, as something of a connoisseur of
cinema terrible, I am a little bummed by
Death to Smoochy. Not as bad as you’ve heard… But not great either.
Too bad. (Or too good…)